![]() Currently an undergraduate Tonmeister student at the University of Surrey, he finds himself composing almost on a daily basis - calling upon his past 3 years of experience gained in directing and singing with high-calibre ensembles and choirs. It became the setting for his first choral work and premiered a year later in a concert held in the Canterbury Cathedral cloisters.Īfter his A Levels, Alexander took a gap year as a choral scholar at Portsmouth Cathedral, where his singing greatly improved, and he began to compose choral music more regularly. Rights/Permissions: The University of Michigan Library provides access to these keyboarded and encoded editions of the works. Unable to find libraries on WorldCat with this item. He attended The King's School Canterbury, where he heard, for the first time, the Palestrina Matin Responsory being sung to open the annual school carol service held in Canterbury Cathedral this kindled in him an ambition to sing as part of a distinguished choir and to arrange music for voice.ĭuring his time at the school, he began composing music - the desire to do so came largely by chance when he happened upon a piece of anonymous Anglo-Saxon text, How Long the Night, which motivated him to put it to music. Christus Natus Est: Cecilia McDowall (University of Essex Choir) Ben Vonberg-Clark. Hodie, Christus natus est Today Christ is born : for Christmas. He began playing keyboard at the age of 5 and from that point on took regular lessons in piano and singing. Christus Natus Est Christmas Sab Choir A Cappella. This music sheet has been read 38608 times and the last read was at 13:56:58. Without soloists, the piece begins at bar 29.Īlexander was born and raised in Canterbury, where he live outside of his University term time. Preview christus natus est elevatio missa in nativitate domini sab choir a cappella is available in 4 pages and compose for intermediate difficulty. If possible, the choir should sing surrounding the audience/congregation. This version is written for unaccompanied SSAATTBB choir, with four optional soprano solos, who should be positioned at the four corners of the audience/congregation. Although premiered by Rodolfus, it is written for Russell Keable and the University of Surrey Chamber Choir with their annual carol service in mind. I am indebted to Ralph’s guidance and support in my development as a musician. Il popolo che camminava nelle tenebre ha visto una grande luce su coloro che abitavano in terra tenebrosa una luce rifulse. ![]() I am incredibly grateful to Ralph Allwood and Robert Porter for allowing its performance and inviting me to conduct it. The text is drawn from a poem by the American author Countee Cullen (19031946), a significant figure in the Harlem Renaissance. The original version of this piece of music was first sung by the Rodolfus Choir in St Martin-in-the-Fields, Trafalgar Square, as part of The Brandenburg Choral Festival in December 2017.
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